8.2.10
10.1.10
in the middle.
if you let me. If you give me time.” [Lorenzo]
8.1.10
7.1.10
the kids are allright
ISTANBUL, Turkey — As simmering unrest continues to sweep Iran, the country’s opposition is casting about for possible endgames to the ongoing crisis. Frustrated presidential candidate Mir-Hossein Mousavi proposed a five-point reconciliation plan last week but the government appears unyielding.
In the struggle currently gripping the streets of the Islamic Republic, an upcoming anniversary could prove significant.
Jan. 16 marks 31 years since the Shah of Iran fled his country, effectively handing victory to the revolution led by Ayatollah Roohollah Khomeini. Green movement activists are hoping the date could once again be the tipping point, this time for Supreme Leader Ali Khamenei.
And as the anniversary approaches, Tehran isn't the only city to watch. Historical precedent suggests that revolutions can start in provincial cities not thought to be hotbeds rebellious activity.
On Dec. 15, 1989, a disturbance in a small Romanian team led to a massacre that became the long-awaited catalyst for the overthrow of the Ceausescu dynasty, the last Communist regime in Eastern Europe...(continue)
6.1.10
"slowness"
5.1.10
sorry.......haters
6.8.09
Mount Obama
2.8.09
....
He links to this video showing the melee:
(the relevant part is about half way in)
...
Her voice is rhythm
They say:
"In a past life that came to a close sometime around 1996, Buenos Aires' Juana Molina was a well-known comedienne and television host, something akin to Argentina's Tracey Ullman, or say, Carol Burnett. It was a role she dutifully fulfilled for almost seven years before succumbing to a twerk of conscience and retreating to Los Angeles in the hopes of starting again, this time as a musician."
&&&&
"The subtle prettiness of Juana Molina's music tends to engender an undermining passivity in listeners...Her music may have slipped into the background, even for some fans, but Molina is onto something interesting. Her twin obsessions with the folk music spanning Argentina, Uruguay, and Brazil and the shading possibilities of electronics have pushed her work into an unusual place. The guitar is central, but Molina uses the instrument as a line instead of a shape. Chord changes are deployed sparingly, allowing her songs to build horizontally, gradually adding and subtracting sounds to create an endless music that could theoretically go on forever. "more...
"When I started to write the songs for this record 'Son', a new element that may have been hidden for a long time appeared; the randomness of the combination of sounds in nature. Each bird has a particular singing; nevertheless this singing is always different. It is not a pattern; it's a drawing, a sound and a mode, only a few elements that each bird combines in a new way each time.
In the same way, sometimes I chose to sing a melodic drawing I develop for the song. Verses are alike, but never the same (rios seco, no seas antipática) other times I chose to sing a repetitive melody. What changes here and moves randomly is, for example, a keyboard. It is like overlapping two different loops, with no synchronicity at all. One very rhythmic and the other one more lose. When you play both, at the same time, the loose loop will provoke a changing harmony, because their beats will never be in the same place. This causes a moving harmony."
1.8.09
playing for change
collaborate on some feel good music.
They are using proceeds to open schools around the world
31.7.09
The Resonance of past Horror
I remember when another racial incident riveted the nation. It was the mid-1950s. I was just old enough to be sent to the barbershop on my own, and there one afternoon I noticed the men passing around a magazine. There were hushed whispers. “Don’t let him see it.” And then a booming voice, “Go ahead. He needs to see it!” continue ...