

...general mayhem and disruption from the comfort of home...
(the relevant part is about half way in)
They say:
"In a past life that came to a close sometime around 1996, Buenos Aires' Juana Molina was a well-known comedienne and television host, something akin to Argentina's Tracey Ullman, or say, Carol Burnett. It was a role she dutifully fulfilled for almost seven years before succumbing to a twerk of conscience and retreating to Los Angeles in the hopes of starting again, this time as a musician."
&&&&
"The subtle prettiness of Juana Molina's music tends to engender an undermining passivity in listeners...Her music may have slipped into the background, even for some fans, but Molina is onto something interesting. Her twin obsessions with the folk music spanning Argentina, Uruguay, and Brazil and the shading possibilities of electronics have pushed her work into an unusual place. The guitar is central, but Molina uses the instrument as a line instead of a shape. Chord changes are deployed sparingly, allowing her songs to build horizontally, gradually adding and subtracting sounds to create an endless music that could theoretically go on forever. "more...
"When I started to write the songs for this record 'Son', a new element that may have been hidden for a long time appeared; the randomness of the combination of sounds in nature. Each bird has a particular singing; nevertheless this singing is always different. It is not a pattern; it's a drawing, a sound and a mode, only a few elements that each bird combines in a new way each time.
In the same way, sometimes I chose to sing a melodic drawing I develop for the song. Verses are alike, but never the same (rios seco, no seas antipática) other times I chose to sing a repetitive melody. What changes here and moves randomly is, for example, a keyboard. It is like overlapping two different loops, with no synchronicity at all. One very rhythmic and the other one more lose. When you play both, at the same time, the loose loop will provoke a changing harmony, because their beats will never be in the same place. This causes a moving harmony."
They are using proceeds to open schools around the world
“The street where Neda was killed is already known internationally as ‘Neda Street.’ I am proud that Rome — capital of peace, tolerance and freedom — will also have its ‘Neda Street,’” Onorato said in a news release after the vote was made.Agha-Soltan, 26, was shot in street protests on June 20. Her last moments were captured on a shaky video, probably shot with a cell phone, and sent out for the world to see.
Iranians on Thursday converged on her gravesite in Tehran, Iran, to mourn her death.“To name a street after someone means to remember of all of those who have lost their lives or have been imprisoned while asking for freedom and democracy in Iran.”Onorato doubts that the name will have any impact on the Iranian government’s actions, but said the purpose of the move is to show Iranians they are not alone in their situation.
The council decision was made on July 9 to coincide with the 10th anniversary of the Iranian student uprising.“Perhaps this might not be the right opportunity, maybe the regime will through violence and the cruelest of repressions manage to sweep it under the rug,” Onorato said. “What matters to me is that the voice of the young Iranians does not remain an isolated one, and that countries, like Italy, send them a clearmessage. In the long run, the objective tendencies always work in favor of the forces that fight dictatorship."
CNN
Raw footage:
(very graphic)
Footage with a poem:
And now an art piece of extraordinary size. Jorge Rodriguez-Gerada writes in to tell us about EXPECTATION: “a large ephemeral sand painting portraying the likeness of Barack Obama, located in the Catalan city of Barcelona. It was created before the 2008 US presidential election using a large-scale vector graphic, a GPS topography system and approximately 650 tons of sand.”
The work’s grand scale (1 hectare / 2.5 acres) embodies the immense sense of hope felt by Barack Obama’s supporters and raises a mirror to reflect the source of that hope. Obama has awakened an enormous yearning for change that runs deep beneath decades of disaffection with the political establishment.
The outsize scale of EXPECTATION also allowed Jorge Rodriguez-Gerada to allude to the global impact of this election. For people around the world, the symbolic power of an Obama presidency would be without precedent in modern history.
Sand painting is the art of pouring colored sands onto a surface to create an image. These sand paintings are used as rituals for healing purposes by Native Americans, Tibetan monks, Indians and Australian Aborigines.
The technique of sand painting was used by the artist as a metaphor for the healing that needs to take place in order to improve our future and to secure a safer world for future generations.
Also Michael Steele says "what up" to young urban republicans (uh-huh)
http://twitter.com/the_real_steele